892 Royalty-Free Audio Tracks for "Classical Musicians"

Giuseppe Verdi's overture to the opera Giovanna d'Arco, played by the U.S. Marine Band for the album Overtures.

Siegfried Fantasie (track 4 of Music of Richard Wagner), a pastiche based on Richard Wagner's Siegfried (1876).

Title Lullaby wound up clock "Guten Abend, Gute Nacht" Artist stephan Original mp3 data Length:0:46 minutes (1.07 MB) Format:MP3 Stereo 44kHz 192Kbps (CBR) User tags Baby, chiming, Crib, Kids, Lullaby, Melody, romantic, Sleep, toy, winding, wound up clock Type Single Subject, Natural, Tone / Tune PDSounds record number 368 Comment Melody is Johannes Brahms, op.49, Nr 4

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

The Furiant from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances. Furiant z opery Sprzedana narzeczona Bedřicha Smetany w transkrypcji i wykonaniu orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych (ang. U.S. Marine Band) z albumu Courtly Dances. Čeština: Furiant ze Smetanovy opery Prodaná nevěsta, nahraná v přepisu orchestrem U.S. Marine Band pro album Courtly Dances. Македонски: Танц од Продадената невеста на Беджих Сметана во изведба на оркестарот на Морската пешадија на САД.

Rondo alla turca tzw. "Marsz turecki" z Sonaty fortepianowej A-dur (KV 331) w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Rondo alla turca (KV 331, 3. Movement) performed by Romuald Greiss on old Budynowicz piano from 1850

Hector Berlioz's Overture to the opera Benvenuto Cellini, played by the U.S. Marine Band for the album Overtures.

The galop from the operetta Geneviève de Brabant by Jacques Offenbach, transcribed by John R. Bourgeois, and played by the United States Marine Band under Bourgeois's direction. This piece is an instrumental version of the "Gendarmes' Duet", and formed the basis of the "Marines' Hymn".

The Polka from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

Johann Strauss II's overture to the opera The Gypsy Baron, played by the U.S. Marine Band for the album Overtures.

Wiegenlied (Berceuse) composé par Johannes Brahms, interprété par Ernestine Schumann-Heink (1861-1936) en 1915

The Dance of the Comedians from Bedřich Smetana's The Bartered Bride, played in an transcription by the U.S. Marine Band for the album Courtly Dances.

Chorus and beginning of verse for "Revecy venir du printemps"

Movement II of Ottorino Respighi's The Pines of Rome, entitled The Pines Near a Catacomb. It is a is a majestic dirge, representing pine trees near a catacomb in Campagna..

Enrico Caruso and Antonio Scotti sing "O Mimì, tu più non torni" from Act IV of Giacomo Puccini's La bohème in a 1907 recording. This is Matrix C-4315, and was released under various labels under the variant name "Ah Mimi, tu piu". (details)

Movement III of Ottorino Respighi's The Pines of Rome, entitled The Pines of the Janiculum. It is a nocturne, supposedly set near a temple, on the Janiculum hill, of the Roman god Janus. The actual sound of a nightingale is used in this movement.

Danza espanola, op. 37, h. 142 - xii. arabesca

Una furtiva lagrima from Gaetano Donizetti's 1832 opera L'elisir d'amore, sung by Enrico Caruso on 26 November 1911 for the Victor Talking Machine Company in Camden, New Jersey.[1]

Maurice Ravel: Gaspard de la Nuit - Ondine

MIDI file of 'By Starlight' 1936 serenade for piano and string by Louis Lavater (1867-1953)

Ludwig van Beethoven's Piano Sonata No. 28 in A major, Op. 101.

Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.

Kindertotenlieder, V. In diesem Wetter, in diesem Braus. « In diesem Wetter, in diesem Braus », chant n° 5 des Kindertotenlieder (Chants sur la mort des enfants), composé en 1904 par Gustav Mahler.

Ombra mai fu from Handel's 1738 opera Serse (a.k.a. Xerxes), sung by Enrico Caruso. Recorded 29 Jan 1920, Matrix: C-23714, Victor Cat: 88617

The "Marche Hongroise" from La damnation de Faust by Hector Berlioz, played by the U.S. Marine Band for the album Director's Choice.

The fifth movement from Hector Berlioz's Symphonie fantastique, known as "Songe d'une nuit de sabbat" or "A Dream of a Witches' Sabbath", transcribed by Lt. Col. Jack T. Cline of the United States Marine Band, and performed by the Marine Band conducted by Lt. Col. Cline at Van Wezel Hall, Sarasota, Florida in 1977

Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.

Mandoline, mélodie composée en 1882 par Claude Debussy (1862-1918) sur un poème de Paul Verlaine (1844-1896), interprétée par la cantatrice australienne Nellie Melba (1861-1931) en 1913.Mandoline, a melody composed in 1882 by Claude Debussy (1862-1918), text by Paul Verlaine (1844-1896), performed in 1913 by Nellie Melba (1861-1931).

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement II: Lebhaft, marschmäßig (Vivace alla marcia) Klaviersonate Nr. 28, 2. Satz

Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

Movement I, "Chaconne", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band. 日本語: グスターヴ・ホルスト作曲『吹奏楽のための第一組曲』より第1楽章「シャコンヌ」。指揮：Frederick Fennell、演奏：米国海兵軍楽隊、録音：1997年4月24日Joseph Meyerhoff Symphony Hall（MD Baltimore）。

Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.

Kindertotenlieder, III. Wenn dein Mütterlein.

Claude Debussy: Ariettes oubliées (6), song cycle for voice & piano, L. 60 No. 2 "Il pleure dans mon cœur". Xiaobo Su, soprano; Giorgi Latsabidze, piano. Los Angeles USC Alfred Newmann Concert Hall, 2010. Live Performance Recording.

Bartók's Sonatina.

Alvorada. Orquestra Sinfônica Nacional da Universidade Federal Fluminense

Ludwig van Beethoven's Piano Sonata No. 28 in A Major, Op. 101, Movement III: Langsam und sehnsuchtsvoll (Adagio, ma non troppo, con affetto) and movement IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. (Allegro) There is no pause between the two movements.

Franz Liszt's Hungarian Rhapsody No. 6 in D-flat major (arranged for wind band) performed by "The President's Own" United States Marine Band. Performed by the Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting.

Schubert's Ave Maria by Free Tim

Richard Strauss' Burleske (1886), performed by Neal O'Doan with the Seattle Philharmonic Orchestra in 1991. Conducted by Nico Snel.[1]

Arrangement from Richard Wagner's 1876 opera Götterdämmerung: Siegfried's Funeral March and Finale, Music of Richard Wagner (track 5)

Io non ho che una povera stanzetta from act 2 of Ruggero Leoncavallos opera La bohème (1897), sung by Enrico Caruso in 1911. It is probably best to make this explicit: This is NOT from Puccini's La bohème. Ruggiero Leoncavallo, Puccini's contemporary, also made an opera based on the same stories, with the same name. While Puccini's version proved wildly popular, Leoncavallo's faded into obscurity. This is Matrix # C-11276 recorded 26 November 1911 (details)

Antonín Dvořák - Concerto for Violoncello and Orchestra in B minor, op. 104 - 2. Adagio ma non troppo (Pierre Fournier, George Szell, Berliner Philharmoniker, 1962)

Traditional Pythagorean tuning of the diatonic tetrachord. Created by Hyacinth (talk) using Sibelius 5. MIDI pitch bend appears to match intervals (0,64, 96,62, 64,61, and 80,64).

Władysław Tarnowski ps. Ernest Buława „Grande Sonate pour Piano composée et dediée respectueusement à J.I. Kraszewski”, wyd. Robert Forberg, Lipsk, październik 1877. Obdarowanym dedykacją był Józef Ignacy Kraszewski, wydawca, korespondent i przyjaciel Władysława Tarnowskiego. Tu wykonanie 1-ej partii z 2 części, która to 1-sza partia ma tytuł „Scherzo rondino” i zawiera temat „Jaskółki” z opery „Achmed” skomponowanej przez Władysława Tarnowskiego. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 16:57, 17 September 2018 (UTC)), wrzesień 2018. Z podziękowaniem dla SLUB w Dreźnie (Sächsische Landsbibliothek – Staats- und Universitätbibliothek Dresden) za udostępnienie partytury.

Enrico Caruso (as Doctor Faust) and Marcel Journet (as Méphistophélès) perform "O merveille! ... A moi les plaisirs" from Charles Gounod's opera Faust (1859), in this 1910 Victor Recording. This is Matrix C-8555, recorded 16/1/1910 in New York, and released under a variety of labels. (http://victor.library.ucsb.edu/matrixDetail.php?id=200008638 full details).

Vois ma misère, hélas! from Camille Saint-Saëns' opera Samson et Dalila (1877), sung by Enrico Caruso on 7 December 1916 in New York City for Victor Records. This is Matrix C-18821, which released under a variety of labels.(Full details)